AdammsGallery

The University of Southern California -Doheny Library- Leaded Glass Window Restoration

    

Two years ago we restored the front windows of the Doheny Library at the University of Southern California in Los Angeles. The Doheny library was built in 1931 by Edward Doheny. Edward Doheny was the first person to discover and produce oil in Los Angeles. At one point he was the richest man in America. The library was built to memorialize his son Edward (Ned) L. Doheny Jr. who was killed in 1929. The library was built at a cost of $ 1.1 million.

                                             
     A major portion of this years project is The Los Angeles Times reference Room. The room as 23 leaded glass windows that are approximately 3' wide and 16' tall. They are comprised of 4 section each in a steel frame. The glass as all hand blown German glass.Originally the glass was a pale amber color, but over time the glass changed color because of a magnesium imbalance. This causes the glass to turn a rose color which with the underlying amber shows as beige. It is actually a very pretty color.

                                            
   This same effect of color change can be seen in what has been called "Desert Glass". Desert glass refers to clear glass bottles that when stored on roof tops in the desert (typically Arizona, or Southern California) turns rose or purple over time. It is sometimes called "sun colored amethyst glass".

                    
     The windows are in poor condition with cracks in the lead came, dried up glazing, broken pieces, and sagging. They needed total restoration. We worked with K.C. Restoration on this project just as we did two years ago when we restored the front windows. We have also worked with K.C. on the Bob Hope Patriotic Hall, Wilshire Boulevard Temple, and the Tower Theater among others. K.C. removed, and installed the windows. We soaked the windows in vats of water to loosen the old putty, and contain the old putty dust(which contains asbestos). In this case it also made removing the old solar/UV film that had been applied to the glass much easier.

                                                       
         After the bath we disassembled the windows, cleaned the glass, and leaded them up with new lead came. Staying with the original lead choice, we used 5/8" H flat lead on the border and 1/2" H flat lead in the body. We added them up, soldered the joints and used Atlas "Wonder"putty to glaze.

                                
          The reinforcing bars are solid brass rods with a flared end the flared ends are set behind the steel sash styles to lock in the windows. As with most pre 1930's windows the bars are attached to the windows with copper wire. We used 16 gauge bare copper wire that was soldered to the joints of the windows and then twisted around the bars.

                                        

                                             The windows are installed in steel frames with screw in steel moldings.

                                                                      
                                                                   Exterior sealant still needs some cleaning up
                                                                       Now on to the rest of the windows

 

Ebenezer Baptist Church Stained Glass Restoration

     Back in February of 2020 we received a call from Bishop Little of Ebenezer Baptist Church in Los Angeles. Ebenezer Baptist Church was built in 1938, in South Los Angeles.The Bishop inquired if we would come out to take a look at the church stained glass windows. The windows were sagging and pieces were cracking. We made an appointment for the following week.

             
                                                                     Windows with exterior acrylic before
There are four stained glass windows two are 42" wide and 10 feet tall , and the other two are 42" wide and 12 feet tall. The  windows are composed of 4 sections each. All the windows had very crazed and hazy acrylic on the exterior for protective glazing. On the interior there was obvious slipping of the window. The bottom panels had cracks, and the lower borders had folded. Two of the bottom panels had gaps on top of up to 1". The panels three panels above the bottom panels were in fairly good condition.
     The Church wanted to conserve money(not unheard of), so I proposed that we remove and restore the four bottom panels  and leave the upper panels. We would remove the exterior acrylic and replace it with clear 1/4" tempered glass. It was also obvious that all the exterior woodwork would need to be replaced as it was severely weather beaten and had obvious rot. I presented a proposal to replace, and paint all the exterior wood(leaving the sash and frames), restore the four lower panels, and install the tempered glass. The proposal was accepted, and we scheduled the work. Unfortunately, the Cocid-19 pandemic struck at this time. It wasn't until late July that we were able to begin work.

          

                                                         Deterioration of frame and sash, sagging of window

     We removed the exterior acrylic  and observed just how bad the  frames and sash really were. There was extensive dry rot, and total deterioration of most of the frames. The steel T bars that were supporting the windows were tearing away from the sash. The sill was almost totally useless. We now proposed that we replace the entire set of four window frames and sash. We opened up the wall of the inside and saw that the studs were rotted and the entire wall was like jelly. We would have to rebuild the entire wall. With my friend and contractor Don Van Cura we proceeded. We ordered the frames and sash, and removed all the stained glass panels, and deteriorated frames and sash. Then we boarded up the opening with plywood for four weeks while we waited for the new frames and sash to arrive.

     

Wall with old frame and studs removed           Wall with old studs                        Exterior showing frame removed

                                                                                             
                                                                                              Wall with dry wall and frame installed                         
                  With the frames due to arrive we began rebuilding the walls. Don Van Cura was able to cut the old studs away from the exterior stucco with a Sawzall, and set in new 2 x 4's. He then miraculously screwed the existing stucco to the new 2 x 4's setting in flashing paper and caulking. With the new frames and sash in hand he began installation continuing with the fascia trim, and caulking the complete set of windows. He patched up the stucco, and Ron Benveniste of R.B Painting Company, primed all the woodwork interior and exterior.and we were ready to install the stained glass panels.

                                                    

                                                 Installing T bar                                                Windows installed

    The first step was to set all the original steel T bars in place. We previously cleaned them up and painted them. The bars had a 90 degree bend at each end, and we screwed them in place into the sash. Each bar was spaced to allow for the stacking of glass panels , but each would support their panel separately. With the T bars installed to set the panels in place securing them with steel sash clips, and wood molding. We completed the window installation, and came back after the painters painted the stucco, and interior and exterior of the woodwork. They did a fabulous job in color matching the stucco and frame color. The original color was from 1938.

                                            
                         Exterior with Tempered Glass                                                                     Finished Restoration from inside

     When the final painting was completed we went back and installed the tempered glass exterior glazing. We decided to cover each window with a single piece of glass rather than 4 separate pieces as was originally there. The final result met with many thanks, and much love. It is always such a wonderful feeling to restore beautiful windows and bring them to life once again. The spiritual feeling from the congregation, Bishop, and ourselves is a tremendous reward. During the whole process we feel a kinship with the original artisans that created these windows to so long ago. It's a nice way to honor them as well. Now the church will have these beautiful windows for many generations to come.

  

Custom Angel Seraphim Stained Glass Window

     We love all the work we do, especially when we have a customer that really strikes us as being a wonderful human being. In this case we also found that the subject matter was very interesting. We were asked to make a window based on a Tarot card of the angel Seraphim. This led us to do some research on angels.

Seraphim

These are the highest order or choir of angels. They are the angels who are attendants or guardians before God's throne. They praise God, calling, "Holy Holy Holy is the Lord of Hosts". the only Bible reference is Isaiah 6:1-7. One of them touched Isaiah's lips with a live coal from the altar, cleansing him from sin. Seraphim have six wings, two cover their faces, two cover their feet, and two are for flying.

To start, our customer sent us an image of a Tarot card.

    

The window was planned to go in a bathroom. After discussing the various types of glass, the need for privacy, light, and color, we decided to use Lambert hand blown German (antique) glass. The medallions were painted on a pale amber antique

 and the center circle was etched using a flashed red on clear antique glass.  

After we etched out the red with sand blasting our expert painter(Mary Orrell) hand painted the blue and purple interior which was then fired in our kiln. We leaded the window up using solid brass came,   


 which we antiqued with a patina. It was then framed ion a pine frame and shipped up to our customer in Seattle.

I think it is a pretty cool window. It is about 30" x 45".

Leaking Leaded Glass Windows

Leaking  Leaded Glass Windows If you have older leaded or stained glass windows you may be experiencing leaks. You may see this as droplets forming on the lead came, and dripping down the window, or as a pool of water at the window sill. Remember that water flows down hill, so if you see water anyplace on the window or sill it is most likely coming from a place higher up. After the rain stops and the water dries you will see water marks where the water has dripped. DO NOT CLEAN these off. The dried spots will help us determine where the leaks actually are.     Leaks may be from dried out a flaking putty, or they may be from broken, or missing lead came. On older windows(65-100 years old), the smog and acid rains have disintegrated the heart of the lead came, and in many cases it just falls apart. Also improper repairs lead to weakened windows and cause leaks. If the leaks are caused from dried out and missing glazing putty we reglaze by forcing the new putty into the lead came between the glass and the lead. The right type of putty will last for many years. The correct putty is metal sash putty. It is either black or grey in color, and is oil based. It should not be thinned with paint thinner, or turpentine. This will only dilute it too much, and cause it to dry out and flake. Do not use white putty. It is meant for wooden sash. Also, by all means, DO NOT USE SILICON. Silicon may seal temporarily, but it will make a mess, and only increase the cost of a repair because it has to be cleaned off before a proper repair can be successful.                             Broken Came      If your window is very old and the lead came has gaps, or holes your window probably needs to be removed and releaded. In this case we rebuild your window with your old glass and new lead came. We will also replace any broken, or badly etched(water stained) glass. To reglaze the window we try to clean out as much old dried out putty as we can. Then we force the new putty into the lead channel. After the window is reglazed the putty needs to set up, so we need a few clear days. Otherwise the new putty stands a chance of being washed out in a heavy rain. On a large window it may take two or three applications before the reglazing is successful. Of course if we totally restore your window you will have a quality window that will last many, many years. IF YOU NEED US WE ARE READY !Adamm's Stained Glass   1426 4th St. Santa Monica, CA 90401  310 451 9390  adamm@adammsgallery.com

First Baptist Church of Los Angeles Stained Glass Restoration

                                                               

   The First Baptist Church of Los Angeles is a magnificent church. The church is located at 760 S.Westmoreland Ave., Los Angeles. The present location was built in 1927. It's magnificent sanctuary ceiling was patterned after the chapel of the Ducal Palace in Mantova, Italy. It seats 1,950 and is one of the most beautiful in Los Angeles.The 1980s brought to FBC a designation by the City of Los Angeles as Historic Cultural Monument No. 237 in 1981, and FBC hosted the Baptist World Alliance in 1986 where former president Jimmy Carter spoke.

     Part of the church is the Moore Prayer Chapel. It is a relatively small chapel with two beautiful stained glass windows each of which is 32" x 72" tall. The windows are predominantly blue being composed of various shades. The windows are etched and painted. The use of both hand blown glass and machine made cathedral glass is marvelous. Some of the glass is variegated (streaky clear and blue glass) with black painting in a flowing design. As often happens, the reason we were called is because of vandalism to the windows. Unfortunately both windows were broken in at the lower of two panels.

            
            

           Before Restoration                                                                   Completed Restoration                                                      

                                                                                                                  

     We were able to find exact replacement glass (Lambert antique for the hand blown, and Kokomo variegated for the cathedral). Our fabulous painter, Mary Orrell, did a fantastic job in replicating the original artists work, and both Alberto Marquez, and Armando Aleman performed their usual magic. I could not tell the restoration from the original, and yes the church was thrilled. Now we will be installing protective glazing on the exterior. This will be 1/4" clear tempered glass installed with circulation vents at the top and bottom to prevent any heat damage to the stained glass.

Custom Stained Glass Heart Windows

                         

   Who doesn't like hearts? Quite often we have long time customers that want to add a window or two to their home. Sometimes they have bought a new home and would like a special window for it.Here is another set of windows that we added to the sitting room of a wonderful long time customer. We installed a pair of identical, but smaller heart windows in the bedroom about 7 years ago, and she always wanted to finish the job with more in the sitting room. It turned out that the sitting room was the perfect place. We added the two heart windows by cutting out the mullions and then we replaced all the clear glass with double glue chip for privacy. Now she doesn't need the blinds that disrupted the room, and she has plenty of light.

     The blue glass is bullseye cathedral, red is hand blown Lambert antique, and we used  2" glue chip bevels as the border that we custom beveled for length. We also used 8 1" round faceted jewels around the hearts. She did a great job with the fabric drapery over the windows for a romantic effect.
   It's clients like these that make coming to the studio everyday so enjoyable. 

Nativity Of The Blessed Virgin Mary- Flagstaff, AZ- Stained Glass Restoration

  

The Nativity Of Our Blessed Virgin Mary is a Catholic church in Flagstaff, Arizona. The Church was finished in 1930, and largely built with the hands of the entire congregation. It is made of volcanic rock that was brought from the surrounding hills by truck and in some instances piece by piece. The church has 18 stained glass windows including the magnificent multi section triptych of "The Assumption of Mary" over the entrance.

The Assumption depicts Mary as she is raised into heaven by cherubs. The Apostles mourn her death. Some kneel by her stone sarcophagus while others look upward witnessing the glory of her Assumption. All of the stained glass windows in the church were created and installed by Jesse Earl Fink in late February, or early march of 1930. Mr. Fink worked in Los Angeles at American Glass Company. The American Glass company was responsible for many other commissions including churches in New York city, Phoenix Arizona, Shakey's Pizza Parlor, and Forrest Lawn Cemetery.

Assumption Window

     The church is in dire need of restoration. The concrete  structure has severe cracks and deterioration.The pink decorative concrete is severely decayed due to a volcanic contaminate in the original concrete mix (silica).  However, the concrete substructure and stonework appears to be sound. Some gargoyles are missing, cracked,  and or severely damaged, as are other decorative elements. The harsh winters have taken their toll of the magnificent church, yet it stands proud and firm like the pioneer families that erected her. Some years ago the Catholic church decided to move and build a larger church for it's going congregation. This left the Nativity to fend for itself. Funds have been nearly non-existent.  However, thanks to an extremely ambitious, persistent, resourceful, and courageous volunteer(she prefers to remain anonymous) work is moving along.

                               
      Three years ago I performed a survey of all the windows to determine the condition, and type of restoration needed to preserve the windows for future generations to enjoy. Portions of the Assumption window were the most vulnerable. In addition  the windows in the Sacristy had multiple breaks, and one had multiple pieces missing. We determined that the lower left transom of the assumption window be restored immediately as it was in dire danger of falling out. In the future when more funds were available we would work on the sacristy windows.

It took three years but last month we returned to Flagstaff to work on the sacristy windows. The sacristy windows had been dual glazed with protective acrylic. Unfortunately the acrylic was sandwiched against the stained glass leading to the advanced deterioration of the lead came. Two of the windows had multiple broken pieces, and one of the windows was heavily damaged. We repaired two of the windows, but had to bring one back to our Santa Monica studio to totally restore it. We were able to get a very good match on the amber glass using a Bullseye amber, however the olive green was much more challenging. After sending samples out to various manufactures( Wismach Glass Co., Kokomo Glass Co., Bullseye Glass) we settled on dual glazing a gray and olive green glass from Kokomo(many thanks to Cindy and Judy for their terrific customer service). The resulting color was indistinguishable from the original.

           
                                                                 

                                                                 Removing window note old acrylic                                           Here's Adamm               Removed window note prior repairs to solder breaks in lead came

 

                                                                                          Completed and installed window(on right)    Nice Job Wonder Woman!           
       
 Because of costs and timing we shipped the window back to Flagstaff for our noble volunteer to install. I must say she did a fantastic job with only a very short demonstration by myself while I was there. We arranged for a local glass company (Rock Glass) to install 3/8" tempered glass as protection over the two sets of windows. We made sure to leave  space for

breathing room top and bottom. The glass was set in aluminum channel with the bottom resting on the steel hinge of the frame. The sides were fastened to the concrete jamb. 

 

                                                                       

                                                                  Installing 3/8" tempered glass protective glazing              exterior glazing finished

If you would like to help with the restoration by donating funds you can get in touch at

http://www.savenativitybvm.com/

The Nativity Restoration Project

c/o The Babbitt Foundation

P.O Box 520

Flagstaff, AZ  86002

 

Triple Pivot Casement Beveled a & Leaded Glass Windows

Beveled Glass Installation

 

      It has been about one year since one of our long time customers approached us about making a set of triple beveled glass casement windows with a center pivot on each. After much back and forth we finalized a relatively simple rectilinear beveled design.

The difficult part was installing the triple casement. Once again I enlisted the help of the best Handyman, and installer I know, Don Van Cura. Don is in my Networking group Wildfire Networking. I wouldn't do any difficult installation without him. I was able to find a perfect all brass, ball bearing, pivot hinge, from Architectual Resource Center  http://brasswindowhardware.com/and the installation of them appeared to be pretty straight forward.

 

                  window before

 

            We understood how the hinge worked, but it took some time before we agreed how to install them.  The owner of the company that sold the hinges didn't have any help with our particular type of installation. We didn't  have the option of removing the jamb to set the top hinge. We ended up removing the ball bearing on the top hinge, and that gave us the extra room for clearance, and didn't affect the ease of pivot since the weight was on the bottom bearing. We set the hinge into the sash. With the ball bearing hinge the pivot was very smooth.

     We first set the center sash,

                                                                                      cutting detail

  

              routing mortise                                  hinge set

and then trimmed the right sash as we needed. Finally we set the left sash. This was an interior set of windows. It was a divider between the master bath and bedroom.

                                                    mortise in sill

   

         bottom hinge set      mortising top hinge          Don with windows installed

 

     After we finished the installation the owner had the sash stained and finished. A very nice and interesting project.

                

                                 

  

Restoring Stained Glass Windows at Pilgrim Lutheran Church, Santa Monica, CA

           
          J.S.Bach Window before                           J.S. Bach After Restoration  

              

              Door Stained Glass                      Martin Luther Window

Having been located in Santa Monica, CA.  since 1978, and locally since 1972, we have been called upon to restore the stained glass of many local churches, and synagogues. We have worked for Pilgrim Lutheran for over 30 years, mostly doing repairs. Now we have begun a more in depth restoration. We are also updating, and adding to the current protective exterior glazing.

     The current home of Pilgrim Lutheran Church was dedicated in 1953. The more than 50 stained glass windows were hand crafted in Belgium. All the glass is hand blown "antique" glass, whose natural imperfections add to their dazzling beauty. The windows illustrate Biblical scenes, and the life of Christ.

     The church sits on the corner of 18th street and Wilshire Blvd. and gets a considerable amount of foot traffic. For this reason protective acrylic was added to the exterior in the 1970's. Over time the acrylic has hazed and discolored. We are currently replacing the acrylic with 1/4" tempered glass, and adding tempered glass protection to all the windows facing 18th St. We are also repairing, and restoring many of the windows that have suffered damage over the years from vandals, athletics(the church is also hoime to a school), and heat.

     Since the glass is European hand blown glass we have so far been able to get exact matches using Lambert German antique glass available through Bendheim Glass, in New Jersey. Our expert glass painter Mary Orrell, has been exceptional in her restoration abilities, and has provided a flawless recreation of the original pieces. In addition glaziers Alberto Marquez, and Armando Aleman have been doing an impeccable job with the removing, restoration, and installation of the windows. Indeed the Pastor and members of the congregation couldn't be happier. I must also add that they are a true pleasure to work for.

    Check back throughout the year for updates on this project.

 

Leon Applebaum Glass Artist

    

lava Bowl

I've known Leon Applebaum for about 35 years. I started representing him in my gallery in 1982, and have been ever since. Leon loves to work with transparent primary colors and has developed an extraordinary assortment of work.  One of my favorites were 3" paperweights with  five balloon shaped bubbles. He would create these weights by blowing small bubbles on the end of the blow pipe and move them over one at a time as he would blow the next color. When he had all the bubbles on the blow pipe he then encased them in clear glass. His "balloon" weights were a tremendous hit. So  much in fact that Leon got tired of making them. Leon also worked with clear pieces as in his twist candle sticks, but always liked color and his use of color and clear glass. Unfortunately for myself and my clientele Leon isn't backing away from his decision to not make them anymore.

 

                                                               

                                                                                 Textured Bowl                              Trails Bowl

         However, all is not lost. Leon went on to create many popular pieces from his lava bowls, rainbow ice perfumes,and cold worked carved bowls, and transition sculptures. Leon was born in Toledo, Ohio in 1945. Leon planned in being a high school art teacher, but, as many artists find out, he was captivated by glass after his first hot glass class. Leon received his BFA from the Massachusetts College of Art, and his MA from the Peabody College of Vanderbilt University.He has studied in Sweden at the Orrefor's glass School, and at Boda Glass. In 1974 he returned to the US to pursue his MFA from Rochester Institute of Technology. He later taught at RIT, and Naples Mill Art School, in Naples, N.Y.

                                             

Transition Sculptures

     Leon's work is in the permanent collections of the Smithsonian Museum, the Corning Museum of Glass, and the Ajeto Glass Museum in the Czech Republic.

     Leon explains that"The process of blowing glass has been my teacher for the past 30 years. I have developed glass blowing techniques for my work that captivate the fluid energy of hot glass, using fire, air, centrifugal force, gravity, and tools to push and pull the glass. I enjoy exploring the visual dimensions of massive glass and reflective interiors, using transparent colors so that the light passes through and brings out the pure beauty and essence of glass".

     You can visit and purchase Leon's work in our Santa Monica,CA. Gallery at 1426 4th St.Santa Monica, CA. 90401

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