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Valley Beth Shalom Synagogue Encino, CA, Stained Glass Restoration

   

                                                                                                                       

 

  Valley Beth Shalom Synagogue is the beautiful synagogue in Encino, California. The synagogue dates back to 1950 when three small congregations joined together and moved an old schoolhouse from Long Beach to the San Fernando Valley on Sepulveda Blvd. However, this rapidly became too small so the congregation moved to a small motel in the area. The end of the 1950's and beginning of the 1960's saw the congregation expand and build a permanent home. on the corner of Densmore and Ventura Blvd. The expansion of the synagogue saw tremendous increases in community participation including the Jewish youth. 

                                              
   

     As the 1960-'s came to a close a search for a new rabbi would see the congregation grow beyond anyone's wildest dreams. The construction of the main sanctuary included two contemporary stained-glass windows. One on either side of the Bima. The synagogue was truly off and running. Everything looked bright until on the evening of May 7th, 2003, a firebombing of the synagogue destroyed a large section of the Westerly stained glass window. As disturbing and frightful as this was there was overwhelming comfort when the valley community came together. "Where do you find the sparks of decency in tragedy? In the response of men and women of all faiths who, on the very next evening, gathered together in a prayer of solidarity at St. Cyril’s Catholic Church just two days after the fire-bombing. Men and women, Muslims, Christians, Jews, Baha’i, Armenian clergy, who sang and prayed and heard each other’s anguish and each other’s resolve to stand together to offer each other their houses of worship to those sanctuaries which were violated."

     Temporary repairs were made to the window, but it would be nearly 20 years before a total restoration would be completed. The restoration of the windows was a small part of a major expansion and remodel of the sanctuary and building itself. We were contacted at the end of 2023 to make a proposal for the repairs to the window. The temporary repair was in fact a hand painted reproduction of the stained glass done with acrylics on two sheets of 1/4" acrylic glass. There were still numerous broken pieces and smoke and burn marks on the adjacent areas. The windows were approximately 4' wide and 25' tall. They were made up in sections that were about 3 feet tall. After a thorough inspection we determined that the horizontal supports were far too weak to be reused. Each section was held in place by 1 1/2" aluminum H bar, we would replace these with 1" steel T bar. We removed both sets of windows, boarded up the openings with 1/2" plywood and brought them to out studio in Santa Monica. Once in the studio we soaked them in water, disassembled, and cleaned the pierces. Of course, we recycle all the old lead came.

                                                                                                           

     The glass was colorful cathedral glass manufactured by The Kokomo Opalescent Glass Company in Kokomo, Indiana. We have a wonderful relationship with Kokomo and use their glass often in restoration projects. Most of the glass was available from the local distributor (Hollander Glass Company in Stanton, CA.). The design was rectilinear with images of Hebrew letters and symbols as well at menorahs, Shabot candles, and other Jewish themes. All the paint was black creating a subtle feeling against the colorful background. The leading was a mixture of flat H ranging in width from 5/8" to 1".

                                                                                                       

      Therre were no images of the 3' x 12' section that had been destroyed so we used our imagination adding similar line work and colored glass. The restoration process took about 2 1/2 months including removal, acquiring the replacement glass, painting the images, fabrication and installation. We finished just in time for the reopening celebration.

                                                                                                      

 I have said many times that the joy in restoring religious windows cannot be matched. The wonderful feedback and love we get from the administration and members of the congregation are a payment that cannot be equaled. The windows are now ready to be inspiring and appreciated by many future generations. 

                * Thanks to Alberto Marquez(Chief Glazer), Jose Ceja, Armondo Colon, Mary Orrell our magnificent painter, and Bart Pachino of Valley Beth Shalom(Executive Director)

Ebenezer Baptist Church Stained Glass Restoration

     Back in February of 2020 we received a call from Bishop Little of Ebenezer Baptist Church in Los Angeles. Ebenezer Baptist Church was built in 1938, in South Los Angeles.The Bishop inquired if we would come out to take a look at the church stained glass windows. The windows were sagging and pieces were cracking. We made an appointment for the following week.

             
                                                                     Windows with exterior acrylic before
There are four stained glass windows two are 42" wide and 10 feet tall , and the other two are 42" wide and 12 feet tall. The  windows are composed of 4 sections each. All the windows had very crazed and hazy acrylic on the exterior for protective glazing. On the interior there was obvious slipping of the window. The bottom panels had cracks, and the lower borders had folded. Two of the bottom panels had gaps on top of up to 1". The panels three panels above the bottom panels were in fairly good condition.
     The Church wanted to conserve money(not unheard of), so I proposed that we remove and restore the four bottom panels  and leave the upper panels. We would remove the exterior acrylic and replace it with clear 1/4" tempered glass. It was also obvious that all the exterior woodwork would need to be replaced as it was severely weather beaten and had obvious rot. I presented a proposal to replace, and paint all the exterior wood(leaving the sash and frames), restore the four lower panels, and install the tempered glass. The proposal was accepted, and we scheduled the work. Unfortunately, the Cocid-19 pandemic struck at this time. It wasn't until late July that we were able to begin work.

          

                                                         Deterioration of frame and sash, sagging of window

     We removed the exterior acrylic  and observed just how bad the  frames and sash really were. There was extensive dry rot, and total deterioration of most of the frames. The steel T bars that were supporting the windows were tearing away from the sash. The sill was almost totally useless. We now proposed that we replace the entire set of four window frames and sash. We opened up the wall of the inside and saw that the studs were rotted and the entire wall was like jelly. We would have to rebuild the entire wall. With my friend and contractor Don Van Cura we proceeded. We ordered the frames and sash, and removed all the stained glass panels, and deteriorated frames and sash. Then we boarded up the opening with plywood for four weeks while we waited for the new frames and sash to arrive.

     

Wall with old frame and studs removed           Wall with old studs                        Exterior showing frame removed

                                                                                             
                                                                                              Wall with dry wall and frame installed                         
                  With the frames due to arrive we began rebuilding the walls. Don Van Cura was able to cut the old studs away from the exterior stucco with a Sawzall, and set in new 2 x 4's. He then miraculously screwed the existing stucco to the new 2 x 4's setting in flashing paper and caulking. With the new frames and sash in hand he began installation continuing with the fascia trim, and caulking the complete set of windows. He patched up the stucco, and Ron Benveniste of R.B Painting Company, primed all the woodwork interior and exterior.and we were ready to install the stained glass panels.

                                                    

                                                 Installing T bar                                                Windows installed

    The first step was to set all the original steel T bars in place. We previously cleaned them up and painted them. The bars had a 90 degree bend at each end, and we screwed them in place into the sash. Each bar was spaced to allow for the stacking of glass panels , but each would support their panel separately. With the T bars installed to set the panels in place securing them with steel sash clips, and wood molding. We completed the window installation, and came back after the painters painted the stucco, and interior and exterior of the woodwork. They did a fabulous job in color matching the stucco and frame color. The original color was from 1938.

                                            
                         Exterior with Tempered Glass                                                                     Finished Restoration from inside

     When the final painting was completed we went back and installed the tempered glass exterior glazing. We decided to cover each window with a single piece of glass rather than 4 separate pieces as was originally there. The final result met with many thanks, and much love. It is always such a wonderful feeling to restore beautiful windows and bring them to life once again. The spiritual feeling from the congregation, Bishop, and ourselves is a tremendous reward. During the whole process we feel a kinship with the original artisans that created these windows to so long ago. It's a nice way to honor them as well. Now the church will have these beautiful windows for many generations to come.

  

Leaking Leaded Glass Windows

Leaking  Leaded Glass Windows If you have older leaded or stained glass windows you may be experiencing leaks. You may see this as droplets forming on the lead came, and dripping down the window, or as a pool of water at the window sill. Remember that water flows down hill, so if you see water anyplace on the window or sill it is most likely coming from a place higher up. After the rain stops and the water dries you will see water marks where the water has dripped. DO NOT CLEAN these off. The dried spots will help us determine where the leaks actually are.     Leaks may be from dried out a flaking putty, or they may be from broken, or missing lead came. On older windows(65-100 years old), the smog and acid rains have disintegrated the heart of the lead came, and in many cases it just falls apart. Also improper repairs lead to weakened windows and cause leaks. If the leaks are caused from dried out and missing glazing putty we reglaze by forcing the new putty into the lead came between the glass and the lead. The right type of putty will last for many years. The correct putty is metal sash putty. It is either black or grey in color, and is oil based. It should not be thinned with paint thinner, or turpentine. This will only dilute it too much, and cause it to dry out and flake. Do not use white putty. It is meant for wooden sash. Also, by all means, DO NOT USE SILICON. Silicon may seal temporarily, but it will make a mess, and only increase the cost of a repair because it has to be cleaned off before a proper repair can be successful.                             Broken Came      If your window is very old and the lead came has gaps, or holes your window probably needs to be removed and releaded. In this case we rebuild your window with your old glass and new lead came. We will also replace any broken, or badly etched(water stained) glass. To reglaze the window we try to clean out as much old dried out putty as we can. Then we force the new putty into the lead channel. After the window is reglazed the putty needs to set up, so we need a few clear days. Otherwise the new putty stands a chance of being washed out in a heavy rain. On a large window it may take two or three applications before the reglazing is successful. Of course if we totally restore your window you will have a quality window that will last many, many years. IF YOU NEED US WE ARE READY !Adamm's Stained Glass   1426 4th St. Santa Monica, CA 90401  310 451 9390  [email protected]

First Baptist Church of Los Angeles Stained Glass Restoration

                                                               

   The First Baptist Church of Los Angeles is a magnificent church. The church is located at 760 S.Westmoreland Ave., Los Angeles. The present location was built in 1927. It's magnificent sanctuary ceiling was patterned after the chapel of the Ducal Palace in Mantova, Italy. It seats 1,950 and is one of the most beautiful in Los Angeles.The 1980s brought to FBC a designation by the City of Los Angeles as Historic Cultural Monument No. 237 in 1981, and FBC hosted the Baptist World Alliance in 1986 where former president Jimmy Carter spoke.

     Part of the church is the Moore Prayer Chapel. It is a relatively small chapel with two beautiful stained glass windows each of which is 32" x 72" tall. The windows are predominantly blue being composed of various shades. The windows are etched and painted. The use of both hand blown glass and machine made cathedral glass is marvelous. Some of the glass is variegated (streaky clear and blue glass) with black painting in a flowing design. As often happens, the reason we were called is because of vandalism to the windows. Unfortunately both windows were broken in at the lower of two panels.

            
            

           Before Restoration                                                                   Completed Restoration                                                      

                                                                                                                  

     We were able to find exact replacement glass (Lambert antique for the hand blown, and Kokomo variegated for the cathedral). Our fabulous painter, Mary Orrell, did a fantastic job in replicating the original artists work, and both Alberto Marquez, and Armando Aleman performed their usual magic. I could not tell the restoration from the original, and yes the church was thrilled. Now we will be installing protective glazing on the exterior. This will be 1/4" clear tempered glass installed with circulation vents at the top and bottom to prevent any heat damage to the stained glass.

Nativity Of The Blessed Virgin Mary- Flagstaff, AZ- Stained Glass Restoration

  

The Nativity Of Our Blessed Virgin Mary is a Catholic church in Flagstaff, Arizona. The Church was finished in 1930, and largely built with the hands of the entire congregation. It is made of volcanic rock that was brought from the surrounding hills by truck and in some instances piece by piece. The church has 18 stained glass windows including the magnificent multi section triptych of "The Assumption of Mary" over the entrance.

The Assumption depicts Mary as she is raised into heaven by cherubs. The Apostles mourn her death. Some kneel by her stone sarcophagus while others look upward witnessing the glory of her Assumption. All of the stained glass windows in the church were created and installed by Jesse Earl Fink in late February, or early march of 1930. Mr. Fink worked in Los Angeles at American Glass Company. The American Glass company was responsible for many other commissions including churches in New York city, Phoenix Arizona, Shakey's Pizza Parlor, and Forrest Lawn Cemetery.

Assumption Window

     The church is in dire need of restoration. The concrete  structure has severe cracks and deterioration.The pink decorative concrete is severely decayed due to a volcanic contaminate in the original concrete mix (silica).  However, the concrete substructure and stonework appears to be sound. Some gargoyles are missing, cracked,  and or severely damaged, as are other decorative elements. The harsh winters have taken their toll of the magnificent church, yet it stands proud and firm like the pioneer families that erected her. Some years ago the Catholic church decided to move and build a larger church for it's going congregation. This left the Nativity to fend for itself. Funds have been nearly non-existent.  However, thanks to an extremely ambitious, persistent, resourceful, and courageous volunteer(she prefers to remain anonymous) work is moving along.

                               
      Three years ago I performed a survey of all the windows to determine the condition, and type of restoration needed to preserve the windows for future generations to enjoy. Portions of the Assumption window were the most vulnerable. In addition  the windows in the Sacristy had multiple breaks, and one had multiple pieces missing. We determined that the lower left transom of the assumption window be restored immediately as it was in dire danger of falling out. In the future when more funds were available we would work on the sacristy windows.

It took three years but last month we returned to Flagstaff to work on the sacristy windows. The sacristy windows had been dual glazed with protective acrylic. Unfortunately the acrylic was sandwiched against the stained glass leading to the advanced deterioration of the lead came. Two of the windows had multiple broken pieces, and one of the windows was heavily damaged. We repaired two of the windows, but had to bring one back to our Santa Monica studio to totally restore it. We were able to get a very good match on the amber glass using a Bullseye amber, however the olive green was much more challenging. After sending samples out to various manufactures( Wismach Glass Co., Kokomo Glass Co., Bullseye Glass) we settled on dual glazing a gray and olive green glass from Kokomo(many thanks to Cindy and Judy for their terrific customer service). The resulting color was indistinguishable from the original.

           
                                                                 

                                                                 Removing window note old acrylic                                           Here's Adamm               Removed window note prior repairs to solder breaks in lead came

 

                                                                                          Completed and installed window(on right)    Nice Job Wonder Woman!           
       
 Because of costs and timing we shipped the window back to Flagstaff for our noble volunteer to install. I must say she did a fantastic job with only a very short demonstration by myself while I was there. We arranged for a local glass company (Rock Glass) to install 3/8" tempered glass as protection over the two sets of windows. We made sure to leave  space for

breathing room top and bottom. The glass was set in aluminum channel with the bottom resting on the steel hinge of the frame. The sides were fastened to the concrete jamb. 

 

                                                                       

                                                                  Installing 3/8" tempered glass protective glazing              exterior glazing finished

If you would like to help with the restoration by donating funds you can get in touch at

http://www.savenativitybvm.com/

The Nativity Restoration Project

c/o The Babbitt Foundation

P.O Box 520

Flagstaff, AZ  86002

 

Restoring Stained Glass Windows at Pilgrim Lutheran Church, Santa Monica, CA

           
          J.S.Bach Window before                           J.S. Bach After Restoration  

              

              Door Stained Glass                      Martin Luther Window

Having been located in Santa Monica, CA.  since 1978, and locally since 1972, we have been called upon to restore the stained glass of many local churches, and synagogues. We have worked for Pilgrim Lutheran for over 30 years, mostly doing repairs. Now we have begun a more in depth restoration. We are also updating, and adding to the current protective exterior glazing.

     The current home of Pilgrim Lutheran Church was dedicated in 1953. The more than 50 stained glass windows were hand crafted in Belgium. All the glass is hand blown "antique" glass, whose natural imperfections add to their dazzling beauty. The windows illustrate Biblical scenes, and the life of Christ.

     The church sits on the corner of 18th street and Wilshire Blvd. and gets a considerable amount of foot traffic. For this reason protective acrylic was added to the exterior in the 1970's. Over time the acrylic has hazed and discolored. We are currently replacing the acrylic with 1/4" tempered glass, and adding tempered glass protection to all the windows facing 18th St. We are also repairing, and restoring many of the windows that have suffered damage over the years from vandals, athletics(the church is also hoime to a school), and heat.

     Since the glass is European hand blown glass we have so far been able to get exact matches using Lambert German antique glass available through Bendheim Glass, in New Jersey. Our expert glass painter Mary Orrell, has been exceptional in her restoration abilities, and has provided a flawless recreation of the original pieces. In addition glaziers Alberto Marquez, and Armando Aleman have been doing an impeccable job with the removing, restoration, and installation of the windows. Indeed the Pastor and members of the congregation couldn't be happier. I must also add that they are a true pleasure to work for.

    Check back throughout the year for updates on this project.

 

La Casa De Maria- Montecito, California

    

                                                                  
          

Toward the end of February 2018 I was contacted by a representative from La Casa De Maria in Montecito, CA. You may recall that the exclusive enclave of Montecito, just South of Santa Barbara, was hit by ravaging mudslides. La Casa De Maria was originally built in the mid 1950's. The 26 acre estate , in addition to its magnificent home, has a Spanish style Catholic Church that was built in 1955.  The church eventually became a retreat center for the Catholic Archdiocese, and years later changed to be a multi denominational retreat. The mud slides brought disaster to La Casa De Maria. What was once a beautifully landscaped wooded retreat was not chocked with tones, and tons of mud and rock. The San Yisedro Creek had been forced to overflow from the washed down boulders. The resultant flood washed not only mud, but giant boulders for miles. Many smashing into cars. trees, homes, and other buildings. The slides caused at least 22 deaths.

                                                               

      I was asked to come up to Montecito to give a proposal to remove a stained glass window from the La Casa De Maria Church, restore, crate, and store it until restoration of the church was completed. When I arrived I as astonished at the size of the catastrophe. The lush vegetation that had been there was gone, mud and boulders were everywhere you looked. In areas there were huge mounds of dirt, concrete, boulders, and building materials that were the aftermath of the floods, and slides. In some cases entire buildings were gone.

     I was accompanied to the church where I noticed an eight foot and 5 foot boulder that had slammed into the side of the church. The resultant collision had fractured a 12" x 8" beam that was supporting the windows from below. There was a hole in the building that was about eight feet across, and, I was told, led to 24 large boulders and three feet of mud being deposited in the church. The mud and boulders had been cleaned out, but the shock of the collision from the giant boulder had caused the ceiling timbers to shift. We had to remove the stained glass window( approximately 3' x 11') directly above the hole so that the walls could be rebuilt, and the ceiling timbers restored.

   

     The nine stained glass windows are magnificent. Originally fabricated in Ireland they have very vibrant colors and have a modern feel to their design. I completed my inspection, returned to the studio, and drafted my proposal( which included all necessary work on all windows), and emailed it. It will be at least a year before the restoration work on the church structure is complete. The administrator shortly there after informed me that they would like me to proceed. Since they were in as hurry to start, and couldn't do anything until we removed the window we went up the following week. We removed, crated, and transported the four sections of the window back to Santa Monica.

     I'll follow up in a later blog with the progression of our work, and also that of La Casa De Maria.

 
                                                            
                                                                

Historic Stained Glass Restoration-Woodlawn Cemetery and Mausoleum Santa Monica, CA

                                                                                        

 

For the past 30 years or so we have been doing restoration and repairs to the stained glass windows at Woodlawn Cemetery and Mausoleum in Santa Monica, CA. I have always considered it on honor to work on these magnificent stained glass windows. Especially since Woodlawn Cemetery is the final resting place of many  of Southern California’s most well-known historical figures. These include. Leo Carillo, Glen Ford, Barbara Billingsley,Paul Henreid, Doug McClure, Jesse Unruh, and Abbott Kinney the founder of Venice, CA. Some of the windows we have had to remove and restore while others have only needed cleaning, minor repairs, and or reglazing. We recently completed what was going to be a relatively minor repair. There were five badly cracked pieces in three panels of a nine panel stained glass window. The procedure was to remove the panels and board up the openings with plywood. Then we would reproduce the broken painted pieces, and replace them in our studio. When we removed the panels and inspected them it was evident that there had been many poorly done repairs to the panels over the years. This was not evident at the original inspection as the window had an exterior protective acrylic panel over it, and we couldn't properly inspect it. The repairs had been completed from the outside. Probably prior to the installation of the acrylic, which was now badly crazed.

 

                   

             Broken Piece                          Mary Orrell Painting
                    

                      
      Firing Glass in Kiln                             Leaded up pane                                          

     With the discovery of the true condition of the window the Cemetery staff agreed that we should completely restore the panels. The first thing we did was to make a rubbing of the panels so we could assemble the restored glass. Next we would disassemble the panels, clean them, and duplicate the broken pieces. Our wonderful painter (Mary Orrell) did as fabulous job recreating the original style. With the number of repairs it was difficult to ascertain the exact colors of the original window, so we kept the same texture and color of the broken pieces.                     

     After Mary was finished painting and firing the glass we leaded up the panels, soldered them, and finally glazed them. The installation went well, although we found that at some point the exterior glazing in the the panels was replaced with wooden molding that was glued in place. We decided to glaze the windows with metal sash putty as they were when they were first installed. In our survey of all the windows in the Mausoleum later we recommended that this be the standard procedure on additional restoration.

                      
                Glazing in Panels                             Finished and installed

   At a later date we will replace the old crazed exterior acrylic with tempered glass.

Stainerd Glass Window Restoration - First United Methodist Church Santa Barbara, Californiqa

First United Methodist Church
of 
Santa Barbara

     We continue to work on these beautiful windows. They were created in Germany. and installed in 1927. The painting is truly magnificent, and our glass painter Nancy Cox, is doing a wonderful job recreating the broken pieces. Painting is a pain taking process, especially when you are copying the work of an artist from the early 20th century.

    Whenever we restore historic windows we attempt to preserve whatever glass we can. We also use matching lead profiles  when we assemble the window. Fortunately we use DHD metals in Conyers, GA. They have an unsurpassed assortment of  all types of lead came old and new, This makes my life much easier. Of course if we ever run into a profile that they do not have a new dye can easily be made.

     The process of restoring historic windows involves following the guidelines of the Department of Interior. These set standards for releading, gluing,replacing, reinforcing, painting, and many more facets of the restoration process. Firstly of course, we carefully remove the windows and transport them to the studio in crates. Then before we disassemble them we make archival rubbings for the church to keep on file. These would be used as a cartoon pattern and,are essential in the event of a fire or other disaster that may destroy a window.

  

 

 

 

 

 

 

 

 

 

  Then we begin the disassembling process by soaking the window in water to soften the old putty. This allows us to more safely take the window apart, without breakage.

 

 

 

 

archival rubbing                                                                                                                        `                                                soaking

                

 

 

                                                                                        first firing in kiln of painted pieces

The next step is to disassemble and check for pieces that may be glued, or need to be replaced. If they need replacement they are set  aside and duplicated. The final step is painting and then firing in our kiln at 1250 degrees F. This fuses the glass paint to the glass. 

 

       Then we begin the building process. Cleaning the pieces, leading up the window, soldering, puttying, and finally cleaning again. Now they are ready to install. 

 

                                 

             

         Checking pieces                            leading up                                               soldering joints                                    Puttying

    

 

Two of the first 10 installed

Restoring Stained Glass Windows at Woodlawn Memorial Cemetery and Mausoleum Santa Monica, CA

                                                                              

Over 20 years ago we were asked to restore the Sunrise window at Woodlawn Memorial Cemetery and Mausoleum in Santa Monica. The window had lost most of its glazing, and was severely bowing. We removed the window to our studio, releaded it and added proper reinforcing bars to  support it. Since that time we have been regularly working at the Cemetery, repairing and restoring their magnificent windows.

     A few months back I stopped off at the Cemetery to say hi and ask if any of the windows needed our attention. I was asked to inspect the windows and give an evaluation. They were interested in adding protective glazing on the outside of the Sunrise window, and replacing many of the previously installed protective acrylic that had severely hazed over. These acrylic panels had been installed before we started working at the Cemetery.  I worked up a proposal and they gave me a call a few months later. The scope of work at this time was to remove the exterior tempered glass from another window(Tree Window), and clean the gnat nests and spider webs. They also asked us to reputty and clean the Sunrise window and add protective tempered glass on the exterior. The preferred product for protective covering of stained glass windows is tempered glass rather than acrylic.

     An interesting fact we discovered is that the decaying bodies in the mausoleum create a smell that attract gnats, and corpse flies. The gnats built nests between the stained glass window and the exterior glazing. As it turned out cleaning the gnat nests, and the spider webs was easy once we removed the sections of tempered glass. The spiders set up their nest outside the gnats nests to catch their prey. Aside from some minor stains in the exterior glass they looked as good at when they were installed.

 

          

       Tree Window Before Cleaning   

                                                                              Tree Window After Cleaning

After we reputtied the interior and exterior of the Sunrise window everyone was shocked at how much more light came in and how translucent the glass really was. For the first time since any of the employees could remember you could see the trees and bushes on the outside. They often use the area just inside the  Sunrise window for services, so they were very happy with the "new" look. On the exterior we added aluminum extrusions on two sides and sealed the 1/4" tempered glass. The window itself is made with hand blown German antique glass, and glass Dales pieces cut in small cubes.

                                                           

Now we are waiting for the new fiscal year to complete the remainder of the windows.

Adamm's Stained Glass is an art glass studio in Santa Monica, CA